Rarely subtext and symbolism is far more interesting than a film itself. But here we are. This deals with the nature and legacy of ‘missionary mentality’ upon indigenous populations. The eponymous Shaman isn’t some elevated master, more akin to a blue-collar toiler on spiritual fronts, trying to stop ignorant outsiders from making horrible mistakes out of their arrogance and presumption.There are striking symbols and visual representation of the conflict of faith, propaganda, sovereignty and intrusion, that all get unfortunately lost under tired tropes and lackluster scares. There are unique elements: gorgeous setting, localized mythology, some interesting thematic conflicts and mostly competent direction, but all the uniqueness is squandered by a script that doesn’t commit to its potential. The film presents an untouched setting and mythology to explore the above thematic notions, but ends up indulging easy exorcism shorthand, derivative of every exorcism film you’ve ever seen. Ever.. The localized mythology in conflict with the catholic usurpers could have been cinematic gold,but Shaman settles for drivel, leaving its bold ideas to rot.
Shaman (2025)